Wednesday, June 24, 2009

World's Oldest Chess Club to Celebrate 200 Years

ChessBase today features "The World’s Oldest Chess Club: Part I (1809–1914)," by Dr. Richard Forster & Dr. Christian Rohrer, about the Schachgesellschaft Zürich. The club will be celebrating its 200th anniversary in August with some great tournaments and events to be attended by all of the legends of chess, including champions Kasparov, Anand, Karpov, Kramnik, Spassky, Ponomariov and Topalov. Besides presenting some fascinating history, the article says a lot about the important institutional role of chess clubs in supporting and promoting the game.

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Sunday, June 21, 2009

A Black Fianchetto System in the Open Games, Part One

I have posted A Black Fianchetto System in the Open Games, Part One, which is the first of a projected seven-part series on a classical way of playing against 1.e4 with 1...e5 and an eventual g6.

The viability of a black fianchetto in the open games was demonstrated by Wilhelm Steinitz in the late nineteenth century (see, for example, Rosenthal - Steinitz, Vienna 1873 and Mackenzie - Steinitz, London 1883), and it has been played with success by the likes of Alekhine, Keres, Geller, and Smyslov. Black has had success with a fianchetto against many lines in the open games:
  • Spanish / Ruy Lopez, 1.e4 e5 2.Nf3 Nc6 3.Bb5 g6
  • Scotch Game, 1.e4 e5 2.Nf3 Nc6 3.d4 exd4 4.Nxd4 g6
  • Three Knights, 1.e4 e5 2.Nf3 Nc6 3.Nc3 g6
  • Scotch Gambit, 1.e4 e5 2.Nf3 Nc6 3.d4 exd4 4.Bc4 g6
  • Italian Game / Giuoco Piano, 1.e4 e5 2.Nf3 Nc6 3.Bc4 g6
  • Ponziani Opening, 1.e4 e5 2.Nf3 Nc6 3.c3 Qe7!? 4.d4 d6 5.Bd3 g6
  • Center Game, 1.e4 e5 2.d4 exd4 3.Qxd4 Nc6 4.Qe3 g6

Where a fianchetto system is not so successful is against lines where White can play an early f4, such as the Vienna, the Bishop's Opening, and the King's Gambit. But we will examine an alternative system against these lines where the Bishop is often developed to b4.

In this first of a planned seven-part series, we examine lines where White plays c3 followed by d4, striving to establish a classical center. This is one of the best places to begin our discussion because it helps us see the g6 system as a potential tabiya that can work across various opening lines that are typically treated quite separately in the opening manuals.

The Tabiya of the Fianchetto System

In subsequent articles, we will look at:

  • historical games with the g6 line
  • various gambit tries for White with d4 followed by c3
  • attacking tries with d4 followed by Bg5
  • lines with d4 and Nxd4
  • attempts to attack by h4
  • and various closed systems for White with d3
The Black fianchetto system in the open games fits very well into an opening repertoire that involves the King's Indian Defense or other fianchetto lines against the d-pawn openings. For ideas on how you can build an entire repertoire around these lines, see my earlier article, "Repertoire Renovations." As always, I welcome reader feedback.

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Sunday, June 14, 2009

The Seventh Seal


Criterion's re-release of Ingmar Bergman's The Seventh Seal, with its stark black and white compositions and famous chess game between Death and a returned crusader (played by Max von Sydow), will likely cause many to reconsider this classic film. Dennis Lim's review ("A Second Look: 'the Seventh Seal'") suggests that it still has power despite its many parodies and campily serious tone:
A heavily symbolic allegory of faith and doubt set in plague-ridden medieval Sweden, this seminal movie was the height of midcentury existentialist chic and ground zero for the cinephile golden age. It gave the cultural intelligentsia permission to take film seriously.

"The Seventh Seal" has since fallen victim to changing tastes and to its own popularity. (If anything, it is now more middlebrow emblem than highbrow badge of honor.) And it is precisely its unabashed seriousness, once so seductive, that has contributed to its somewhat diminished reputation.

Many of the film's images have passed into cinematic immortality, none more so than the recurring motif of a brooding knight locked in a mortal chess game with Death, assuming the form of a cowled, white-faced ghoul, and the final hilltop danse macabre, led by the scythe-wielding Grim Reaper. But the hooded figure of Death also has proved spoofable, popping up in such places as Bergman mega-fan Woody Allen's "Love and Death," Monty Python skits and "Bill and Ted's Bogus Journey."

It might not be possible to liberate "The Seventh Seal," reissued in a new two-disc edition this week by the Criterion Collection in both standard definition and Blu-ray, from the historical baggage that surrounds it. But first-time viewers, and those revisiting it after many years, might be surprised to find a movie that feels at once dated and timeless: Its deadly earnest sensibility harks back to another era, but its stark iconographic power is undimmed, stubbornly resistant to parody. Read the rest online>

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Saturday, June 13, 2009

Saemisch Attack Again

Saemisch Attack, Alekhine's Defense
White to play.

I have posted some analysis of a specific line in the Saemisch Attack vs. the Alekhine Defense beginning 1. e4 Nf6 2. e5 Nd5 3. Nc3 Nxc3 4. bxc3 d6 5. f4 dxe5 6. fxe5 Qd5, when White has to watch out for tricky tactics with Bf5 followed by Qe4+ and Qxc2. Recently, a reader sent me a game he played based on my advice in "The Saemisch Surprise," where I suggested sacrificing the c-pawn. I still think that is a viable option, but I now prefer simply 7.Nf3! followed by Be2 and O-O, avoiding the whole discussion. Those interested in learning more about the line should also see "Saemisch Surprise Revisited," where I analyze Smith - Yermolinsky, Washington D.C. 2008.

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Thursday, June 11, 2009

"Chess in Concert" June 17 on PBS



Mark your calendar if you are interested in seeing "Chess in Concert" next Wednesday, June 17, on PBS's Great Performances. Vocalist Josh Groban headlines the cast, from a concert production last year at London's Royal Albert Hall.

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Online Blitz

I have posted two of my best "Killer Games" from recent online play. They are really fun miniatures with the Tango and the Left Hook Grand Prix (respectively), which I have discussed here before.

Not finding time to visit the club or even do a lot of chess analysis, I have been able to find a few minutes here or there for online blitz play. I used to play mostly unrated games at ICC, but lately I have been trying out a bunch of different sites (where I feel less invested in my rating status) and am working up toward a review of the ones I have used and a survey of others. My current favorites are Buho21 (where I probably play the most and have broken through my 2200 ceiling on several occasions) and ChessCube (which has a very nice interface, if not the strongest competition). One side benefit of playing at Buho21 is that I am learning a lot of new Spanish curse words.... I welcome suggestions for sites I should try -- especially if I can try them for free.

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Saturday, June 06, 2009

Chicago and Lake Hopatcong 1926


Those of us who collect chess books often choose works as much for their rarity and beauty as for the games and ideas they contain. Dale Brandreth's Caissa Editions has long catered to collectors, supplying limited editions of truly beautiful books, complete with library bindings, high quality paper, very readable fonts, multiple diagrams per page, attractive layouts, rare photographs, excellent indexes, and careful editing. Yet Caissa books not only exhibit rare quality but also supply rare content, as is the case with Robert Sherwood's excellent book of the Chicago 1926 and Lake Hopatcong 1926 Chess Tournaments, which finally brings to light many games that had long been missing from the historical record.

I have posted a page of four Tactical Puzzles from Chicago 1926.

As Jeremy Silman mentions in his review, even his "database of over 3,850,000 games only has 27 from the Chicago 1926 event, while the tournament book we’re about to discuss has 78!" Why is it that, until now (for the databases are already adding them), we have only had access to about a third of the games? Because, as with many tournaments, the majority of the games were never published. Only the games of the tournament stars (especially Marshall, Torre and Maroczy) were of much interest to the public, and so only the best of their games and a few others ever made their way to print and subsequently into the databases. Frank Marshall was personally responsible for adding two to the record, analyzing his games with Kupchik and Maroczy (certainly among the best of the tournament) in his Marshall's Best Games of Chess. And Gabriel Velasco collected all of Torre's games from the event for his book on the Mexican GM. But we owe a debt of gratitude to author Robert Sherwood for returning to photostats of the original score sheets (some of which proved "impossible to decipher") to puzzle out most of the moves for the rest.

Ironically, despite Sherwood's efforts, I think my favorite games from the tournament remain those that have long been known, including Marshall - Kupchik, Marshall - Maroczy, Maroczy - Chajes, and Showalter - Torre -- the last of which features a truly challenging tactical idea from Torre (see diagram below and in the puzzles), who found not only a winning idea but also the only move to survive (a move you can forgive Showalter for having overlooked when he played 20.Qxg7?).

Showalter - Torre, Chicago 1926
Black to play and win.

Yet some of the long unkown games are of interest as well, mostly for their fascinating endgames, as in Marshall - Isaacs and Kashdan - Lasker. In fact, I would say that those who love to study endings will find much to appreciate in Chicago 1926, since all of the games were hard fought (every draw and win well earned) and therefore typically feature some endgame play. The openings, meanwhile, were the standards of the time, including the Queen's Gambit, Ruy Lopez, Caro-Kann, Colle-Zukertort, and the London System, as well as the surprisingly popular Alekhine's Defense. There are a couple absolutely classic Ruy Lopez attacks (most notably Ed. Lasker - Chajes and Chajes - Showalter with their queen sacrifices) and classic Queen's Gambits (especially Marshall's games cited above). But it is in the endings where the games have the most to offer those more interested in the theory of the game than its human history. Sherwood has done a marvelous job of annotating every game to maximize its value to us.

Kupchik - Capablanca,
Lake Hopatcong 1926

Position after 19.Rf3? h5!

The section on Lake Hopatcong 1926 is also very well put together, with many notes in addition to those in the original tournament book by Herman Helms and C.S. Howell. Readers of these pages will likely recall my own fascination with the two Lake Hopatcong tournaments of 1923 and 1926. Comparing in a few places my own annotations to those of Mr. Sherwood, I am impressed by how much he adds to my understanding of these games.

My favorite game from Lake Hopatcong 1926 is probably Kupchik - Capablanca, where Capablanca's 19...h5 (see diagram above) long puzzled me, so that I was only too happy to accept C.S. Howell's fascinating explanation that the move was part of a deep-seeded plan to distract Kupchik's forces by luring them over to the kingside, thus strengthening his own queenside attack. I am still convinced that something like that happens in the game. But Sherwood's explanation of 19...h5! is even more persuasive. Having pointed out that 19.Rf3? was in error because the superior 19.Rg1 planning a g4 push would have given White some kingside chances, Sherwood notes that Capa's 19...h5! "takes advantage of the now blocked d1-h5 diagonal to forever preempt White's g2-g4, thereby freeing himself to operate unhindered on the other wing." This note is simply one of many that offer a deeper insight into these excellent games.

My only regret is that author Sherwood and editor Brandreth did not conceive of a separate volume devoted to the Lake Hopatcong tournaments of 1923 and 1926 -- creating coherence of geography rather than chronology. Most of the 1923 games had long been lost to the historical record and are only now making their way into the databases. I was able to uncover 42 from Herman Helms's Brooklyn Eagle chess columns -- though I now discover that Phony Benoni (a.k.a. David Moody) has posted even more at ChessGames.com in an excellent page devoted to the event. And clearly Brandreth knew the event well, since he includes a great photo of the 1923 players (one of many photos that alone repay the cost of the book).

I think the combination of the two Lake Hopatcong events would have been at least as interesting as the current volume. My favorite game from 1923 is the long known Kupchik - Marshall, which Marshall annotated in his collected games. But there are many more of value, including the interesting game Kupchik - Chajes, which offers what I called "An Opening Novelty from 1923." Though the Chicago 1926 tournament (which takes up only 152 pages) likely needed something more to fill out a book, perhaps there were other events that could have done it. Most of the action in 1926 was in Europe, of course, but there was a Chicago-London cable match and I see tantalizing hints in the game records of a New York 1926 event from which comes Maroczy - Tenner. I certainly understand the choice of Lake Hopatcong 1926, and I probably appreciate more than most the additional information on this historic New Jersey event; I simply regret the missed opportunity for a fascinating separate volume.

As I hope is clear from this review, I heartily recommend the Chicago 1926 and Lake Hopatcong 1926 Chess Tournaments, which can be had by sending a check for $40 plus $4 for shipping and handling to:

Dale A. Brandreth
Caissa Editions
P.O. Box 151
Yorklyn, DE 19736

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Wednesday, June 03, 2009

The Labourdonnais - McDonnell Attack


I have posted analysis of what I call The Labourdonnais - McDonnell Attack against the French Defense, with 1.e4 e6 2.f4 d5 3.e5 c5 4.Nf3. It is a fascinating line well worth reviving, as Igor Glek recently argued in SOS #8.

Though theory clearly prefers the name Labourdonnais Variation for the line that begins 1.e4 e6 2.f4 and McDonnell Attack for 1.e4 c5 2.f4 e6 3.Nf3 d5 4.e5, I think that even a glance at the historical record should convince anyone that McDonnell deserves credit for both. I suppose Labourdonnais gains the name on the strength of his attractive game De LaBourdonnais - Lecrivain, Paris 1837. But this example is clearly preceded by McDonnell - De LaBourdonnais, Match 1834 which began with the French move order, let alone the more than a dozen additional games with the line between these two unofficial rivals for the "world championship." My favorite game with this opening between the two, McDonnell - De LaBourdonnais, London Match 1834, shows what an exciting and hard fought series of contests it was. It seems fitting that the opening be named after both of them, as they are forever linked in the annals of chess history and even lie in nearly adjacent graves in London's Kensal Green.

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Friday, May 29, 2009

Sandi Hutama Wins US Amateur East

There is an article at the USCF website by Steve Ferrero about Sandi Hutama taking the 66th annual US Amateur Championship East title in Somerset, NJ. The crosstable is also up and shows how Hutama dominated the field with 5.5 out of 6. Jim West has posted a selection of Steve's excellent photos from the event (note to Jim: fix the blog template; scrolling is a pain.) Diamondback also has shots of the prize winners. A record 220 players participated in this Heritage Event.

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Thursday, May 28, 2009

Bobby Fischer on Film



ChessBase points us to two trailers on YouTube for new films about the late Bobby Fischer: Me and Bobby Fischer (see above) and Bobby Fischer Live (embedding disabled). The first is a disturbing but very interesting documentary focused on Fischer's life after his arrest in Japan and extradition to Iceland. The second is an even more disturbing -- for chessplayers anyway -- docudrama about Fischer's life that focuses on the roots of his dementia in childhood. Each tries to extend the story of the 1972 World Championship match in different directions, forward and back in time, to the endgame and the opening. My impression is that the documentary "Me and Bobby Fischer" holds some promise of adding new dimensions to the Fischer saga by depicting his time in Iceland, which is not captured by previous documentaries that I know. But I think that the morbidly melodramatic "Bobby Fischer Live" will simply drive chessplayers bonkers with inaccuracies and chessic blunders. Any chess player will see several problems in the trailer alone, beginning with the scene showing a teenage Fischer (already a rising master cum IM) reading Tarrasch's The Game of Chess -- while having to use a board no less!

Ultimately, I don't think the rather chaotic and incomprehensible story of Fischer's opening days and sad endgame can ever be as interesting as the perfectly structured real-life story of Fischer's middlegame full of miraculous triumph and mystery -- his rise to 1972 stardom and Garbo-like disappearance -- a story that is beautifully, mythicaly, and touchingly narrated in young Josh's voice in the black and white archival vignettes of Searching for Bobby Fischer (much of which is on YouTube), so that one wishes someone would just string those moments together as a stand-alone video. That's why I had been excited to hear that the book Bobby Fischer Goes to War, which offers a very well dramatized and well researched account of the events surrounding the 1972 match, was optioned by Universal Pictures, and that they had hired director Kevin MacDonald (Last King of Scotland) to film it. But the latest reports suggest that the project has been shelved due to the economic crisis.

Among the best Fischer films I have seen are "The Mad Genius of Bobby Fischer" (portions of which can be viewed on YouTube) and the excellent British documentary "Fischer vs. Spassky" (all of which appears to be available on YouTube). Both do a fairly good job of telling the story of the 1972 match through archival footage and interviews with figures of the time, including the very likable Boris Spassky. But it would be nice to see Fischer's story get the full Hollywood treatment.

There is some hope that Madman Genius: Bobby Fischer Found, to be directed by Liz Garbus for HBO, will offer something along these lines. According to the website:
Madman Genius will chronicle the bizarre and tragic life of an American hero turned outlaw, chess champion Bobby Fischer. Fischer's rise and fall echoed the demise of the Cold War World Order; without the black and white of the chessboard reflected in the 'real' world, Fischer, arguably the greatest chess player of all time, went insane. Novelistic in its story-telling, the film will chronicle the spectacular rise and fall of an American icon.
Fischer's story continues to fascinate us and I am sure that there will be a string of future films about him. However, it appears we will still have to wait for this incredible true story to receive the cinematic rendering that it deserves.

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Wednesday, May 27, 2009

2009 CJA Awards


I suddenly remembered today that June 1 is the postmark deadline for submissions to the Chess Journalists of America's annual awards. This year they have simplified the "best blog" category by simply inviting all websites and then they will sort them based on genre:
9. Best Chess Website: Open to news sites, “blogs,” state websites, and so on. Special award given to the best example of each type of website.
I'll be entering a few of my favorite blogs, so let me know if you plan on submitting yourself.

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Monday, May 25, 2009

World Chess News



You will have to check out "World Chess News," hosted by three lovely Swedish sisters, and ask yourself how you could have missed it for the five years it has been airing! Of course, only the past six episodes have been available in both Swedish and English, but previous episodes have English subtitles. The banter is no more silly than standard news programs and the most recent episode (#252), which features coverage of Nakamura's US Championship victory, is very professionally produced. I also recommend their "Opening School" episodes, which cover the type of openings of interest to club players.

According to their website, the program (which airs on Swedish TV and the internet) is completely produced by a single family: "The WCN team consists of five siblings from Stockholm, Sweden, currently in the ages between 21 and 14. Adriana, Antonia and Amelia Krzymowska (21-17) and Alfred and Albert Krzymowski (16 and 14) created the idea and concept of the show. / Seizing the opportunities of their generation; with advanced computers, the Internet and digital cameras, they learned all of the technical and editorial aspects of producing a news show, and have done that ever since (They write the scripts, set the lights, adjust the sound, record the shows, edit the material, air and market WCN)." This impressive achievement predicts great future success for all of them! Because you are likely curious, Alfred has a 2069 ELO and Adriana an 1860 ELO.

Hat tip to Pete Tamburro.

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Sunday, May 24, 2009

US Amateur East

Max Sherer plays Anna Matlin in Round One

Yesterday I dropped by the US Amateur East tournament at the Somerset Ramada, mostly to visit with my chess friends and to see what Fred Wilson had on offer. I was pleased to see that the event has gotten some good coverage at the USCF site, with an article and photos by Atlantic Chess News editor Steve Ferrero. I tell myself every year that I should be playing in the Amateur, and I think I'll make the commitment to play next year. But I have been quite busy of late and so had promised the wife and kids to take off some days around the Memorial Day holiday.

I picked up a couple interesting books from Fred, including a surprising little pamphlet in the "Grandmaster Profiles" series offering 64 games of Joel Benjamin. It seemed like a bargain at $3, but it's a typically slap-dash Eric Schiller production, so Fred had priced it right. Fred's table will be set up for the entire event, so you have through Memorial Day to drop by.


Fred shows off his excellent book for kids.

As always, a great selection from Fred.

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Saturday, May 23, 2009

Review of "SOS #10"


I have made no secret in these pages that I am a big fan of the "Secrets of Opening Surprises" series from New in Chess, edited by Jeroen Bosch. I own every volume and expect I'll be adding many more to my collection in the years to come. Its short article format has a strong appeal, since it allows you with relatively little effort to pick up an unusual opening line to try out in blitz or in a critical game situation. Only Everyman's "Dangerous Weapons" series comes close to offering such an interesting collection of offbeat opening lines. But even Everyman doesn't offer such a variety of authors and openings. I recently picked up "SOS #10" and thought it was about time I wrote a review.

Recent SOS volumes have featured 17 articles, and this one is no exception. Here are its contents:
  1. Jeroen Bosch, "The SOS Files" (offering recent games with lines discussed in previous editions), pp. 8-21
  2. Dorian Rogozenco, "The Blumenfeld Gambit" (1.d4 Nf6 2.c4 e6 3.Nf3 c5 4.d5 b5 5.Bg5 b4), pp. 22-28.
  3. Jeroen Bosch, "The Lewis Gambit" (1.e4 e5 2.Bc4 Bc5 3.d4), pp. 29-33.
  4. Dimitri Reinderman, "The Retreat Variation" (1.e4 Nf6 2.e5 Ng8), pp. 34-40.
  5. Adrian Mikhalchishin, "Steinitz’s Anti-French" (1.e4 e6 2.e5), pp. 41-43.
  6. Arthur Kogan, "Slav: the Bellon-Murey Variation" (1.d4 Nf6 2.Nf3 d5 3.c4 c6 4.Nc3 dxc4 5.a4 a5), pp. 44-53.
  7. Jeroen Bosch, "Slav: a Marshall Gambit of Sorts" (1.d4 d5 2.c3 e6 3.Nc3 c6 4.e4 Bb4 5.Bd2), pp. 54-59
  8. Alexander Finkel, "Queen’s Fianchetto in the Alekhine" (1.e4 Nf6 2.e5 Nd5 3.c4 Nb6 4.b3), pp. 60-65.
  9. Igor Lysyj, "Grünfeld Indian: Kruppa Variation" (1.d4 d5 2.c4 g6 3.Nc3 d5 4.cxd5 Nxd5 5.e4 Nxc3 6.bxc3 Bg7 7.Bg5), pp. 66-72.
  10. Igor Khenkin, "SOS in a Flexible Caro-Kann" (1.e4 c6 2.Nc3 d5 3.Nf3 Nf6 4.e5 Ne4), pp. 73-78.
  11. Sergey Tiviakov, "Queen’s Indian: Double Fianchetto" (1.d4 Nf6 2.c4 e6 3.Nf3 b6 4.a3 Bb7 5.Nc3 g6), pp. 79-88.
  12. Adrian Mikhalchishin, "Sicilian: Romanishin Variation" (1.e4 c5 2.Nf3 d5 3.Bb5+ Bd7 4.c4), pp. 89-92.
  13. Jeroen Bosch, "Modern Provocation" (1.e4 g6 2.d4 Bg7 3.Nc3 Nc6), pp. 93-99.
  14. David Navara, "Tricky Line vs the Slav" (1.d4 d5 2.c4 c6 3.Nc3 Nf6 4. Nf3 e6 5.Qd3), pp. 100-115.
  15. Alexander Finkel, "Taking Chances in the Volga" (1.d4 Nf6 2.c4 c5 3.d5 b5 4.cxb4 e6), pp. 116-122.
  16. Or Cohen, "Petroff for Beginners" (1.e4 e5 2.Nf3 Nf6 3.Nxe5 Nxe4), pp. 123-134.
  17. Jeroen Bosch, "Winning Ugly in the Tarrasch" (1.d4 d5 2.c4 e6 3.Nc3 c5 4.cxd5 cxd5 5.Nf3 Nc6 6.Bg6 f6), pp. 135-143.
Of course, as with most opening manuals, only a portion of the chapters have much relevance to my own repertoire. But I find that where it is relevant, it is usually very relevant indeed.

I was especially pleased to see Bosch's article on the surprisingly good Lewis Gambit (1.e4 e5 2.Bc4 Bc5 3.d4!?) which fits perfectly with my interest in the revived Max Lange Gambit (1.e4 e5 2.Nf3 Nc6 3.Bc4 Bc5 4.O-O Nf6 5.d4 Bxd4 6.Nxd4 Nxd4 7.f4 d6 8.fxe5 dxe5 9.Bg5). In my view, the Lewis Gambit is playable precisely because it offers some tricky transpositions, chiefly to the Max Lange Gambit itself following 1.e4 e5 2.Bc4 Bc5 3.d4 Bxd4 4.Nf3 Nc6 (probably best as 4...Nf6 5.Nxd4 exd4 6.e5! d5 7.Bb5+ favors White, while 4...Qf6?! was convincingly refuted in Cochrane - Staunton, London 1841) 5.Nxd4 Nxd4 6.O-O and it's not clear that Black can avoid getting into known lines. Meanwhile, I think White can also transpose to familiar territory following 1.e4 e5 2.Bc4 Bc5 3.d4 exd4 with 4.Nf3!? (4.Bxf7+ is Bosch's only recommendation) when 4...Nc6 5.c3 transposes to the Scotch Gambit or Giuoco Piano while 4...Nf6 gives us a line from the Urusov Gambit which is quite good for White after 5.e5. A perfect fit with my repertoire! And very little effort to adopt.

I also appreciate that Bosch offers a long aside regarding MacDonnell's 1.e4 e5 2.Bc4 Bc5 3.b4!? Bxb4 4.c3 which I have analyzed at some length as part of my Bishop's Opening site. I had concluded that White generally does best to transpose to the Evans Gambit after 4...Be7 5.Nf3! or 4...Bc5 5.Nf3! while using the opportunity to get into some fascinating gambit territory following 4...Ba5 5.f4! In my view, the only reason to play 3.b4!? is if you want to transpose to the Evans Gambit while side-stepping the more difficult 4...Ba5 lines; otherwise you might as well play 3.Nf3 when the natural 3...Nc6 4.b4!? gets you where you want to go anyway. Here I have to say I am a little disappointed with Bosch's discussion, which adds only two recent games (Heil - Podolnyy and Kurenkov - Tishin) to my analysis from seven years ago. In fact, he even makes an error in suggesting that White can reach the Evans Gambit via 4...Bc5 5.d4!? exd4 6.Nf3?! when I show that 6...Nf6! throws a monkey wrench in that plan. Similarly, White cannot reach standard Evans lines after 4...Ba5 5.Nf3?! due to 5...Nf6! 6.d4 0-0 7.0-0 d6 8.Ba3 Nxe4 9.dxe5 Nxc3 10.Qd3 Nxb1 11.Raxb1 Nc6 12.exd6 cxd6 13.Bxd6 Re8 =+ Paulsen--Asbeck, Dusseldorf 1863. I think Bosch would have been aided by a little more research here (or just a look at my analysis, which any Google search would have turned up). Nevertheless, I do appreciate that he offered this little extra idea for fans of the Evans Gambit.

The next chapter by Dimitri Reinderman on "The Retreat Variation" (1.e4 Nf6 2.e5 Ng8!?) went well beyond an article I had written that called this line The Brooklyn Defense. In the key recent game Kotronias - Sandipan, Gausdal 2008, White improved on the Gruchacz - Benjamin game of my article with 8.Ng5!? Qd7 9.Qe2 e5 10.d5! (I gave only 10.dxe5 dxe5 as playable for Black) 10...Nf6 11.Bg2 when Black had real problems to solve. Reinderman suggests that Black try 11...c6!? to weaken White's grip on e6 or to develop interesting counterplay following 12.c4 cxd5 13.cxd5 Na6! heading for the weak d3 square. He also does not sidestep the toughest line: 1. e4 Nf6 2. e5 Ng8 3. d4 d6 4. Nf3 Bg4 5. h3 Bh5 6. g4 Bg6 7. e6 fxe6 8. Bc4! when Black's position starts to look ugly to me. However, Reinderman convinces me that Black might survive following 8...Bf7N 9. Ng5 d5 10. Bb5+! c6 though I still prefer White after 11.Bd3 or 11. Nxf7!? Kxf7 12. Bd3.

The annoying line with 8.Bc4! is the main reason I had looked closely at 3....d5!? --which Reinderman dismisses. As he notes, 3...d5 simply does not compare well to the Advance Variation of the Caro-Kann that arises after 1.e4 c6 2.d4 d5 3.e5 Bf5 4.Be3. He writes: "The same position would arrive after 1.e4 Nf6 2.e5 Ng8 3.d4 d5 4.Be3 Bf5 (what else?), but then with a pawn on c7 and White to move! Surely this must be good for White. Therefore in this article I will stick with 3...d6" (34). I'm still not convinced that 3...d5 is not playable, and the recent game Bajt - Guid, Murska Sobota 2008 suggests Black can hold his own here, even with some highly unusual play.

Looking through the lines on offer in "SOS #10" you would be convinced of the modern theory that playing by principle is not as correct as assessing specific positions. This is especially the case with Steinitz's Anti-French 1.e4 e6 2.e5, which is exactly the kind of move we are apt to reject "on principle." But White reaches some interesting positions, and at least avoids those annoying closed French lines, forcing play instead toward more semi-open channels that might not be to Black's liking. Similarly, you would not expect Black to do so well after 1.e4 c6 2.Nc3 d5 3.Nf3 Nf6! 4.e5 Ne4!? (author Igor Khenkin also suggests 4...Ng8!?) when White is hard pressed to find an advantage. I had similar trouble meeting 1. e4 c6 2. Nc3 d5 3. Nf3 d4 4. Ne2 c5 5. Ng3 (perhaps 5. c3!?) 5...Nc6 6. Bc4 Nf6! (see Goeller - Brandreth, USATE 2009), and Khenkin's article combined with my own experience is putting me off the Two Knights Caro-Kann lately. Finally, there is a wonderful article on the "Petroff for Beginners," focusing on the popular line at club level 1.e4 e5 2.Nf3 Nf6 3.Nxe4 Nxe5!?/?! which is one of those lines that is "supposed to be refuted" but is not quite so "refuted" as it should be, as I discussed in my article on the "Symmetrical Petroff."

All in all, another wonderful volume from Jeroen Bosch -- and I've only touched on the small portion that interested me most.

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Chess in Film, Set to Music


The YouTube "chess in film" compilation videos of Lucio Etruscas, which have received prominent notice from ChessBase and The New York Times, are definitely worth a look. If nothing else they present a high speed trivia challenge to the chess in film enthusiast -- though it would be nice to have a filmography for each, and ChessBase will probably succeed in compiling that. Perhaps Bob Basala, author of Chess in the Movies, could help (see my reviews and discussion here, here and here).

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Tuesday, May 19, 2009

Hikaru Nakamura Wins 2009 US Championship

Nakamura-Friedel
Position after 8.Bd3!?

I have annotated Nakamura - Friedel, US Championship 2009, where GM Hikaru Nakamura used a 19th Century variation of the Two Knights Defense to win the crucial last round game that secured him the championship.

The surprising 8.Bd3, which blocks the d-pawn, was first played by Isidor Gunsberg but recently revived by Daniel Stellwagen, who presented an article on it in "Secrets of Opening Surprises, Volume #9." Nakamura played a nearly flawless game with the line, ending in a neat little move that traps Black's queen nearly in the middle of the board (see diagram below). Not only did this near-miniature secure Nakamura sole possession of the $40,000 first prize, but also (I predict) will bring him $275 more in the "SOS competition," for the best game played with a variation written about in Secrets of Opening Surprises!

Nakamura-Friedel
White to play and win.

There are lots of great resources online for those interested in learning more about the US Chess Championship or this final round game. Here are some links worth exploring:

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